Ready for something really interesting? Give Kari Kriikku's new album, Bizarre Bazaar, a spin and try not to smile. The Finnish clarinet wizard's vivacious personality is evident in everything he plays, as is the inspiration he gains from his travels and experiences as a musician. Presently a leading performer of the clarinet, Kriikku says he "unabashedly adapts works for concert use," and it works brilliantly.
Bazaar is a multicultural concoction, unified by Kriikku's charismatic clarinet and the energy of the accompanying Tapiola Sinfonietta orchestra. The selection of pieces comprises many moods and genres, including klezmer, tango, and fado. The opener by László Draskóczy, "Dances of Kronod," delights with a charming sass; Ora Bat Chaim's "Deine Söhne Seien Gesegnet" creeps with grave beauty; Astor Piazzolla's "Cafe 1930" glows with mystery and intrigue; and the closer, Paulo Abreu Lima's "Feira de Castro," impresses with invigorating percussion. By Kriikku's design, each performance is a modern, refreshing approach to the music, and after even one listen you might just have an entirely new outlook on classical clarinet.